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Name: POLIANA BERNABÉ LEORNADELI

Publication date: 08/11/2024

Examining board:

Namesort descending Role
ANA BEATRIZ RODRIGUES GONÇALVES Examinador Externo
GUSTAVO HENRIQUE ARAUJO FORDE Examinador Interno
LUIZ HENRIQUE SILVA DE OLIVEIRA Examinador Externo
MARIA MIRTIS CASER Examinador Interno
PAULO ROBERTO DE SOUZA DUTRA Presidente

Summary: This is the english abstract.This research focuses on the study of three works by the
writer Carolina Maria de Jesus, Quarto de Eviction: Diary of a Favelada (1960), Diário de
Bitita (1986) and Casa de Alvenaria: Diary of an Ex-Favelada (1961), in which the author
articulates her Afro-diasporic experience with the trajectory of national formation. The
hypothesis of this work is that Carolina’s production reflects the trajectory of the black
Brazilian people, as her literature is based on strong national social contradictions, which
emerge from her production through a dialogical network that is linked to the African
diaspora and the black-Brazilian diaspora. In view of this, through their narratives, the
black body is delineated which, subjected to a project of Eurocentric power, transits in
national rural and urban spatiality. In this way, his text broadens the understanding of
the trajectory of these subjects in the face of the socioeconomic changes to which the
country was subject after abolition, demonstrating, in the meantime, how, although legally
free, these individuals continued to be immersed in a violent system of exploitation of
their work and the plundering of their culture. That said, it is possible to affirm that
Carolinian literature provides a broad and critical overview of the condition of black people
in the national territory, especially in the first years of the republican period. To this
end, the author articulates, metaliterally, her trajectory in the context of capitalism and
the working conditions of black people under this new regime. This research also points
out that this production was important for the advancement of national literature, as it
caused ruptures in the canon by deconstructing stereotypical and discriminatory images
about black people and their cultures, making use of an innovative linguistic structure
and a dialogical network of senses. The research methodology adopted is bibliographical,
and the analysis procedure of the works is guided by the historical-dialectical materialist
method, as a way of analyzing, with more property, the developments of the national
Afro-diasporic trajectory, mainly in the face of socio-cultural transformations. historical
events that occurred in a context of the rise of capitalism as an economic model.

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