Name: CLAUDEIR APARECIDO DE SOUZA
Type: PhD thesis
Publication date: 29/09/2016
Advisor:

Name	Role
VIVIANA MÓNICA VERMES	Advisor *

Examining board:

Name	Role
GINA DENISE BARRETO SOARES	External Examiner *
LUÍS EUSTÁQUIO SOARES	Internal Examiner *
MARIA AMÉLIA DALVI SALGUEIRO	Internal Examiner *
VIVIANA MÓNICA VERMES	Advisor *

Summary: The muting is the expressed interdiction of the person’s movement by decision of a strong regulation power. Once, in the authoritarianism, the person is not allowed to fill different positions, which forces, at the same time the production of the senses that are not prohibited to him/her, remains, across the discursivity, the clarification of the silence places, to WHERE the materiality of the speech slides to have meaning. In that perspective, one work of the singer Ronnie Von, produced in 1968, in a full fiercer context of the brazilian military government, mediated by tropicalistic aesthetics, presents a series of elements WHEREby the muting imposed to singer’s voice and corporeity, both by his colleagues and the power that had control over the market game, besides the politics of the authoritarian State, can be broken by the senses that slide in the holes created by the discursive game of the work itself, and it’s singer, both relegated to the silence.

Access to document